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Austrian Cattle Herders
Photograph by W. Robert Moore, National Geographic
"Mama, don't take my Kodachrome away."
Perhaps Paul Simon, who sang those words in 1973, saw it coming—Kodak announced Monday that Kodachrome color film will be discontinued after a 74-year run. The first commercially successful color film has been eclipsed by the popularity of digital technology, the company said in a statement.
In the summer of 1937, National Geographic magazine photographer W. Robert Moore took the first Kodachrome shots for the publication while on assignment in Austria (above, cattle herders in Mayrhofen, Austria). (The National Geographic Society owns National Geographic News.)
The new technology allowed Moore to capture action photography in color on 35mm film, a previously impossible feat.
When magazine editors processed Moore's photographs, "everyone just went wild over them," recalls lab technician B. Anthony Stewart in the book The National Geographic Society: 100 Years of Adventure and Discovery.
The "iridescence" of color was "just something that color photographers had never dreamed of," Stewart said.
The demise of Kodachrome came just three days before a National Geographic exhibition, "Kodachrome Culture: The American Tourist in Europe", opened in the society's Washington, D.C., headquarters.
The exhibit, which ran until September 7, 2009, showed Americans' burgeoning fascination with vivid color photographs of Europe.
Published June 24, 2009
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Gulf of Mexico Pelican
Photograph by Luis Marden, National Geographic
A pelican flies over a stormy Gulf of Mexico in a 1937 Kodachrome photograph taken by Luis Marden, one of the color film's early champions at National Geographic magazine.
In 1935, when Marden first saw a demonstration of the film at a Washington, D.C., camera shop, he rushed back to the magazine photo lab to spread the news of the "amazing" medium, as described in the book The National Geographic Society: 100 Years of Adventure and Discovery.
Marden called the new film, which created virtually grainless and vibrant color images, "a photographer's liberation, like being let out of prison."
Today, advances in digital photography have relegated Kodachrome to just a fraction of a percent of Kodak's total sales of still-picture films—prompting the company's June 22, 2009 decision to stop making the iconic product.
Published June 24, 2009
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Norwegian Hikers
Photograph by Andrew H. Brown, National Geographic
The so-called Red Shirt School of Photography, which referred to the practice of using red elements, such as shirts, caps, and sweaters, to brighten photographs in National Geographic magazine (above, hikers wear matching red-tasseled caps in 1957 in Trollstegen, Norway), emerged during the 1950s.
At that time, a faster speed of Kodachrome film allowed photographers to move further beyond the rigid and posed photos required by slower color film processes.
Melville Grosvenor, editor of the magazine in the 1950s, said the red-shirt strategy helped enliven expedition photographs, which otherwise featured khaki-clad subjects: "There was no pep to it. But when a fellow had a red cap on—just a red cap—it would add a little color to the picture."
Published June 24, 2009
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French Cable Car
Photograph by Walter Meayers Edwards, National Geographic
A National Geographic writer and his son wave from a cable car on France's Mont Blanc in a Kodachrome photograph published in the magazine in 1965.
The picture appears in the National Geographic exhibition "Kodachrome Culture: The American Tourist in Europe," which opened June 25, 2009 in the society's Washington, D.C., headquarters.
Kodachrome had its heyday in the 1950s in the magazine, which published brilliant European scenes and helped spark a new generation of U.S. tourists.
Published June 24, 2009
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"Afghan Girl"
Photograph by Steve McCurry, National Geographic
Perhaps one of the most well known Kodachrome photos, National Geographic photographer Steve McCurry's haunting portrait of an Afghan refugee appeared on the cover of the magazine in June 1985.
On a final expedition, McCurry will shoot some of the last rolls of Kodachrome film and donate those images to the George Eastman House International Museum of Photography and Film in Rochester, New York. (Listen to an NPR interview with McCurry about the demise of Kodachrome.)
Kodak has also compiled a tribute gallery of Kodachrome images, including the "Afghan girl" portrait, on the company's Web site.
(Find out how a National Geographic photographer named a landmark after Kodachrome, and view more milestones in photographic technology on the National Geographic Society's photography site.)
Published June 24, 2009
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