Whittle says the age of this young universe is analogous to a human life just 12 hours after conception, and he compares the sound waves to cosmic DNA.
Whittle believes his soundtrack can shed light on how matter was distributed in the early formation of the universe. "In a sense, studies of these ancient sound waves are a kind of cosmic genome project," Whittle said. He notes that just as DNA determines human development, sound waves determine the growth of stars and galaxies in the developing universe.
From a Scream to a Whisper
Whittle will tell you that his project breaks no new scientific ground.
But Ted Bunn, assistant professor of physics at the University of Richmond in Virginia, says Whittle's central insight is that the ripples that were around in the early universe were sound waves.
Specialists were aware of this fact, but very few researchers outside the field have known this, Bunn said.
"The physics of the first 500,000 years or so [of the universe] has been generally thought of as being very abstract and very difficult to understand it's a very engaging way to think about the subject," he said.
Ironically, the big bang was initially silent. Only as time passed did sound begin to grow. Whittle's work suggests the cosmic concert slowly grew in volume until it reached about 110 decibelsabout the level of a typical rock concert. The sound waves were so huge (about 20,000 light years in length) and so low (about 50 octaves below hearing range) that the astronomer had to adjust them to the range of human hearing.
His soundtrack, which sounds like a jet engine decelerating into television static, condenses millions of years of cosmic noise into a span of about five seconds.
Whittle has also managed to tease out the fundamental (a physics term that describes a component of lowest frequency of a periodic wave) and harmonics of the big bang. "Though it's not quite the heavenly choir, it's got notes in it. It's a kind of chord," he said.
The universe provided a unique, if somewhat imperfect, concert hall for what may have been creation's opening chord, Whittle said. (For music buffs: "There are a range of intervals," he said. "But the primary one evolves from a major to a minor thirda classic modulation.")
For some time cosmologists have used sound as a diagnostic tool. "By listening to the universe, you can figure out its structure," Whittle said. "For example, by measuring the basic pitch, you measure the density of the universe."
The true value of Whittle's work may be that it connects one more human sensehearingto the wonders of the cosmos. "It lends a whole new way for a human being to internalize and relate to, emotionally and intellectually, these very distant but very important times," he said.
The creation of the universe "is the beginning of everything, from which we all come," he said. "This is no small potatoes this is the big picture. It's been on humans' minds for thousands of years."
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